The Mosman Art Prize is an annual, acquisitive award for painting sponsored by Mosman Municipal Council. Established in 1947, the Prize is one of the oldest and most prestigious, local government art awards in Australia.
The winning works form a splendid collection of modern and contemporary art, reflecting developments in Australian art practice over the last half a century.
Artists who have won the Mosman Art Prize include Margaret Olley, Guy Warren, Grace Cossington Smith, Weaver Hawkins, Nancy Borlase, Lloyd Rees, Anthony Galbraith, Elisabeth Cummings, Tim Johnson and Guan Wei. Past adjudicators also include notable Australian art figures such as Margaret Preston, John Olsen, Tim Storrier, Jenny Sages and Edmund Capon.
Mosman Art Prize 2016
Congratulations to the winners of the Mosman Art Prize 2016, an annual, acquisitive award for painting sponsored by Mosman Municipal Council. The winners were announced on Tuesday 23 August 2016 and the works are on exhibition at Mosman Art Gallery from 20 August to 25 September 2016. On Sunday 25 September at 3.00pm the Mosman Art Prize will be closing early so that exhibiting artists can pick up their artwork from 3.00pm – 5.00pm. Watch the video that features winner Michael Zavros and Prize judge Susi Muddiman talking about the winning work Flora.
Winner Mosman Council Major Prize $30,000 - Michael Zavros, Flora 2016
Flora forms part of an ongoing body of work about my eldest child Phoebe, aged 11. I have been drawing, painting, photographing and filming her almost since she was born. In 2010 I won the Doug Moran Prize for my portrait of her entitled Phoebe is dead/ Alexander McQueen. My Phoebe project has emerged as an increasingly central part of my broader practice. She is my muse, but also a surrogate me. In some ways, my portraits of her function as self-portraits: me outside of myself.
As she changes and matures, the work changes too. In Flora, Phoebe wears a vintage 1960s Gucci scarf, the famous ‘Flora’ pattern, which depicts European spring blooms, butterflies and insects. Like traditional still life or vanitas painting the flowers present a momento mori, and mark the passing of time and the first flush of youth, on the verge of puberty. The scarf covers her face although she seems to be holding the viewer’s gaze. I enjoy the simultaneous references to fashion photography and classical portraiture, this blending of the sacred and the profane.
Winner Mosman Council Commendation Prize $2,000 - Min-Woo Bang, Cloud in abstraction 2016
My paintings explore the genre of romantic landscape painting which has a deep emotional response and engagement with the mysterious and shifting Australian landscape.
I am interested in capturing nature's transitional moods in a suite of breathtaking Australian landscapes, engaging my senses with the emotional and aesthetic qualities of the land and sky that echo human moods.
The painting, Cloud In abstraction(2016), I created a dramatic interplay between light and dark (chiaroscuro) as defined branches and dark trees frame the foreground, directing the focus to gigantic moving clouds or gusts of wind as the sky and land create different energies.
Another aspect to my work is dealing with the idea of passing time and the fragility of memory through nature. The physical elements and forces of nature are interdependent in an atmospheric landscape and the experience of nature’s transformation is balanced by a deep, physical connection to place.
Winner Allan Gamble Memorial Prize $3,000 - Robyn Sweaney, The promise 2016
Other people’s houses have always fascinated me. Although outwardly many houses are generic, I am intrigued by the way people, in creative and resourceful ways, express themselves within the boundaries of their own environments. I am drawn to a subtle and quirky aesthetic: one that includes the design elements of colour, symmetry, pattern and balance.
The promise was inspired by an actual house and garden I saw many years ago set amongst the sprawling outer suburb of Sunshine West in Melbourne. To create the composition I played about with the placements of the topiary and left out many of the actual ornaments (including many carefully placed garden gnomes). The day was grey and drizzly, which is not uncommon for that part of Australia, and gave a soft gentle atmosphere to the garden.
Winner Fourth Village Providore Emerging Artists' Prize $2,000 - Moritaka (Toko) Suzuki, Mandarin still life 2016
Mandarin still life is inspired by the classical realistic paintings from the 18th to 19th century. The dark background, which is a characteristic of the classical style, creates visible depth in the painting where the objects are emerging out from the darkness. Academic painting techniques were used in order to create a convincing illusion of three dimensional form and to represent the quality of the surface texture of each objects in the painting.
The word “Mandarin” has a plurality of potential meanings. The word could refer to the orange mandarin fruits or it could be referring to the Mandarin Chinese style of the vase. Furthermore the word “Mandarin” also has a little-known meaning of “elegantly refined, as in language or taste.” The moral of the painting is to capture the beautiful co-existence of objects which are seemingly world-apart from each other; perhaps "mandarin" may be an appropriate adjective for describing the composition of the painting.
Winner Mosman Art Society Viewers' Choice Prize $1,000 - Moritaka (Toko) Suzuki, Mandarin still life 2016
Talented young Japanese artist Moritaka (Toko) Suzuki has been voted winner in the Mosman Art Society Viewers Choice Prize. At only 24 years of age Suzuki has also won the Fourth Village Providore Emerging Artist Prize. With over 450 Viewers Choice votes counted his painting Mandarin Still Life was a clear winner. The artist also sold his work on the first day of the exhibition and we look forward to hearing more about this talented artist in the future.
Collecting Your Works
Collection of non-selected works:
- Tuesday 16 August and Wednesday 17 August 10am – 6pm;
- Thursday 18 August 10am – 7pm;
- Works not collected by 30 August will be disposed of.
Collection of selected works:
- Monday 26 September – Wednesday 28 September 10am – 5pm;
- Thursday 29 September 10am – 7pm;
- Works not collected by 30 September will be disposed of.
Collection of works by courier:
- Artworks not selected must be collected by courier Wednesday 17 August and Thursday 18 August 10am – 5pm;
- Exhibited artworks must be collected by courier on Wednesday 28 or Thursday 29 September, 10am-5pm;
- Artists must organise the courier and advise Mosman Art Gallery of all details – especially the name of the courier company and approximate time and date for collection.
Thanks to our Sponsors
Featured image - Winner of Mosman Art Prize 2016 Michael Zavros, Flora (Detail), 2016